MFRD Essay Example | Topics and Well Written Essays - 2500 words

MFRD - Essay Example This is one of the major decisions that a manager is faced with. He has to decide how the available resources will be utilized efficiently. Financial resources are always scares and limited. Therefore, they have to be put into the best possible use that will give optimum benefit to the organization. The manager has to spend them in the order of priority and urgency (Baker and Powell, 2007). The best way to ensure good services is to ensure proper planning of the way financial resources will be utilized. The manager has to point out the financial shortages and surpluses. Financial statements are important in this since they help managers to control the resources and make the right decisions. Through them, the manager is able to predict the costs and expenditure. He will in turn make the right decision on how to use the resources available to meet the costs. This essay focuses on the issue of financial resource management and decision making in an organization. It discusses the various sources of finance, their advantages and disadvantages as well as how budgets can be used to help in decision making. The essay is based on Mr T. Jones Fast Foods Restaurant. The source of finance for a business depends on the type of business and the stage at which the business is (i.e.) a start -up business or a continuing business. The larger the organization, the wider the variety of finance sources available to them. In case of a start- up business, the initial investment is referred to as capital. The sources of this capital could range from savings, inheritance, loans as well as investments. This is the most difficult part of starting a business. The entrepreneurs need to get enough capital to start the business and get it going. When the business is on -going or becomes established, it has ways in which it increases its capital. The capital can be increased through internal means or external means. Internal sources of finance are the funds that are

To What Extent does New Queer Cinema Restage Dominant Themes of Essay

To What Extent does New Queer Cinema Restage Dominant Themes of Classical Hollywood - Essay Example Classical Hollywood films refer to those films that were produced between 1910s through 1950s (Michele, 12). As opposed to New Queer Cinema films, these classical films did not openly dramatise homosexual issues because of the dominant and conventional heterosexual lifestyle. It was the New Queer Cinema that came with the sexual revolution and opted to go against the status quo, challenging the heterosexist minds by explicitly dramatising homosexuality. However, restaging the dominant themes in the classical Hollywood cinema brought about this shift. This paper evaluates the extent at which the New Queer Cinema has restaged dominant themes of the classical Hollywood cinema. In order to understand dominant themes that the New Queer Cinema has restaged, we should understand some identifying genre styles. First in order to identify and designate a group of films into a certain class, like the New Queer Cinema, principle characteristics are to be isolated (Braudy, 34). One such isolating approach is referred to as structuralism that lists genre’s iconography, stock characters, typical themes and central narratives (Gever, Greyson & Pratibha, 92). Another approach would situate genres within the historical context in order to assess how films achieve public popularity and how these impacted the production studios. In this case feedback is highly essential in determining whether some class of the film will succeed in the market or not. Gever, Greyson & Pratibha, 93) analyse that, this success is highly depended on the ability of the film to capture key and popular cultural anxieties that are prevalent at the time. The last approach, which is closely intertwined with the gist of this paper, is the way we have classified films over time. This is the origin of the classification of classical Hollywood films and the New Queer Cinema (Gever, Greyson & Pratibha, 93). What has been the concern of most classification is the shift from the most relevant and prevalent t hemes of the time. In most cases, New Queer Cinema revises classical cinema themes and makes them more relevant to the target audience at a time or generation. As we saw earlier, in their exact nature, classical Hollywood films did not dramatise homosexual lives and issues because such issues were not openly acceptable. The content of the Hollywood narrative was largely heterosexual, and that was reflected by male-female romance; a theme dramatisation which was common in all film genres (Mann, 2). Where homosexuality issues featured in a film, before the sexual revolution, the new queer film; insignificant and supporting roles were allotted to the characters. For instance, in the film A Florida Enchantment (1914), a pre-code film, homosexuality was so extreme at that time in featuring female characters who fed on magical sex-changing seeds that turned them into women pursuing Lotharios (White, 11). This lack of direct and explicit dramatisation of homosexual themes emanated from the Hollywood production code that was made effective in 1934, which forbade explicit depiction of what is called "sex perversion" (Mann, 12). At that time, however, the classical Hollywood cinema, under the code, kept on suggesting queerness by the use of effeminate men and mannish women; although the characters never came in the open as real homosexual or lesbians proper. There are classic actors like Horton (1886–